Landscape painting canvas print, Chesapeake Plein Air, Transitions by Deborah Chapin
$306.00 – $8,500.00
Painted on location in the Wetlands, as part of a Wetland Series of pieces involving 350 pieces of art during a 10 year period, most of which have been sold. ” In all the years that I’ve been painting the Wetlands and environs the characteristic I enjoy most is the reflecting sky. Somehow the breeze dies, a peace settles in and the wildlife revel in the environment.”
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Description
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Did You Know Did You Know? That with just inflation a painting:
- in 1982 that was sold at $600, in 2020 is worth $2375?
- in 1984 that was sold at $2500, in 2020 is worth $8625?
- in 1987 that was sold at $7000, in 2020 is work $21783
This doesn’t account for anything but the value of the $ and nothing added for a lifetime of professional experience and worldwide exhibition history. Description Blue Dot Reserve About the Artist Description
Landscape painting canvas print, Chesapeake Plein Air, Transitions by Deborah Chapin
Description by the artist: “I painted this piece on location as a series of wetland pieces to decide the perfect location and the perfect time to paint with the water mirroring the sky. the “Transitions title refers to the transitions between seasons, and natures rhythms to which we are all tied. When in harmony with good health lead to beauty such as this scene” The original is 16×34 and custom ordered unframed canvas prints are printed with permanent pigment ink ready for your framer. Museum quality materials.
About the Chesapeake Plein air Paintings: I painted 10 years in the Blackwater wildlife Refuge. I had continuous showings of these works each year as well as work from other locations. In painting over 300 original oil paintings which included wetland grasses, birds of all types, and landscapes.
Features:
Fine Art Canvas Print, Large canvas print
made to order by the artist
printed in permanent pigment inks on archival canvas.
Made to order canvas print are printed on demand with the highest quality materials by the artist. Deborah wanted to keep control of her quality of materials and the reproduction of truly beautiful colors. Deborah is a long time professional artist who has lectured at the Smithsonian American Art Museum on color and plein air painting and has exhibited her works in museums worldwide.
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Blue Dot Reserve
I invented the blue dot reserve for collectors who saw a painting at the show preview that they wanted to purchase, so that they could bring a spouse or friend to see the piece before purchasing. The piece would hold for the first 15 mins into the show opening. Blue dots were applied on a first come first serve basis. Once the show started if someone else wanted to buy the piece the blue dot collector had the right to purchase the piece or the blue dot was removed and the next purchaser was free to purchase. This eliminated a lot of acrimony when collectors are vying for the first dibs on paintings.
My first experience with this phenomenon was at the Greenwich Workshop Galleries shows during a “Of Ships and the Sea” exhibit when Graham Stiles was the director. He had a number of collectors come in for an early preview for work and those collectors would be able to buy paintings during the preview. While that’s great for the artist in the gallery it isn’t particularly fair to novice collectors who would be furious when at the opening they saw red dots. So the blue dot eliminates this problem and everybody relaxes a little. All is more fair and open and anyone can put their blue dot on a piece to hold it while they bring their spouse, aunt and uncle and whomever and that way they know they’re sure of their purchase. A collector does have to buy it within the first 15 minutes of the show with a preview blue dot and collectors would come by and say is that painting being bought and if I call out and say who’s blue dot is this and they’re not there they lose out but they’ve been given a fair shot and most the time it works out really well for everybody. Everyone gets what they need and they want and then the next round those collectors that didn’t come to the preview and put a blue dot on a piece are aware that they can do it and so then they do.
during my shows at the Audubon could also use a blue dot to hold a piece while purchasing. it eliminated a lot of confusion and sell out shows made the artist happy.
About the Artist
Original art are all on linen canvas and one of a kind paintings by the artist.
Deborah is a long time professional artist who has lectured at the Smithsonian American Art Museum on color and plein air painting and has exhibited her works in museums worldwide. For more information about the artist see her online portfolio of fine art and her cv/biography
About the Artist: My Online Studio is an extension of my studio. When you enter you are entering my studio but without the housekeeping. I offer fine art in original oil paintings on linen and also canvas prints of favorite original pieces. Most of my originals in the past 20 years have been painted en plein air ( on location) I have lectured and made film presentation at the Smithsonian American Art Museum, exhibited at the Carrousel du Louvre, and museums through out the world see by exhibition history at Exhibition History
The next 30 years I expect to be doing a combination of unusual water portrait work and collector’s favorite, my beach scenes with people. If you have questions feel free to ask.
For more information see
https://gallery.deborahchapin.com/exhibition-history-of-35-years-in-paint-by-deborah-chapin/
Additional information
Original / Canvas Print | Original, 16×34 Canvas Print |
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