Original Art, Muscongus Bay at Dawn 1, by Deborah Chapin
Mid-coast Maine Coastal Painting , Muscongus Bay at Dawn
Mid-coast Maine Coastal Painting , Muscongus Bay at Dawn. An original oil painting on linen canvas mounted on board, 12″x31″ by Deborah Chapin, Maine art, New Harbor Maine, Muscongus Bay Art, Seascape , marine art, marine artist.
Painted at dawn scene on January 21st. This painting shows Mid-Coast Maine in one of its many moods, this one being a calm very early dawn in mid-winter. Read More
Contact Us About This Piece please include the title in your subject line. Landscape prints on canvas.
Tip: Stand about 8′ from the wall for accurate sizing of piece and/or mask the size on the wall with painter’s tape and fit the image within the tape
Did You Know Did You Know? That with just inflation a painting:
- in 1982 that was sold at $600, in 2020 is worth $2375?
- in 1984 that was sold at $2500, in 2020 is worth $8625?
- in 1987 that was sold at $7000, in 2020 is work $21783
This doesn’t account for anything but the value of the $ and nothing added for a lifetime of professional experience and worldwide exhibition history. Description About the Artist Blue Dot Reserve Description Mid-coast Maine Coastal Painting , “Muscongus Bay at Dawn 2”, by Deborah Chapin, is original art. a Maine art piece of dawn off the coast of Muscongus Bay. It is part of my VELPme project (Video Exploration Log Painting Maine’s Coast). This painting shows Mid Coast Maine in one of its many moods, this one being a calm early morning on a winter’s day. See other Maine Scenes in this collection below.
About the Process: I like to paint several smaller paintings, working myself up to larger work, as I learn the subject matter. Gradually developing a portfolio which expresses the full character of the place. Pemaquid Point is no different to than one of my favorite haunts in France. It must be explored and appreciated and allowed to seep in at it’s own pace. I am not a slam bam thankyou…. kind of artist. I think of speed as antithetical to art. I think deeply and like to delve into the nature of the place, learning the nooks and crannies and developing a deep appreciation of its beauty. Instant gratification is not my thing. I have never been someone who thought a cursory look at someplace even counted as having seen something, even as a tourist. I went back many times, and stayed during long visits of a month or more exploring the culture, the history and the people of a place. This series of plein air and studio paintings are new work added to an already extensive portfolio of 40 years of art. About the Artist
Original art are all on linen canvas and one of a kind paintings by the artist.
About the Artist: My Online Studio is an extension of my studio. When you enter you are entering my studio but without the housekeeping. I offer fine art in original oil paintings on linen and also canvas prints of favorite original pieces. Most of my originals in the past 20 years have been painted en plein air ( on location) I have lectured and made film presentation at the Smithsonian American Art Museum, exhibited at the Carrousel du Louvre, and museums through out the world see by exhibition history at Exhibition History
The next 30 years I expect to be doing a combination of unusual water portrait work and collector’s favorite, my beach scenes with people. If you have questions feel free to ask.
For more information see Blue Dot Reserve
I invented the blue dot reserve for collectors who saw a painting at the show preview that they wanted to purchase, so that they could bring a spouse or friend to see the piece before purchasing. The piece would hold for the first 15 mins into the show opening. Blue dots were applied on a first come first serve basis. Once the show started if someone else wanted to buy the piece the blue dot collector had the right to purchase the piece or the blue dot was removed and the next purchaser was free to purchase. This eliminated a lot of acrimony when collectors are vying for the first dibs on paintings.
My first experience with this phenomenon was at the Greenwich Workshop Galleries shows during a “Of Ships and the Sea” exhibit when Graham Stiles was the director. He had a number of collectors come in for an early preview for work and those collectors would be able to buy paintings during the preview. While that’s great for the artist in the gallery it isn’t particularly fair to novice collectors who would be furious when at the opening they saw red dots. So the blue dot eliminates this problem and everybody relaxes a little. All is more fair and open and anyone can put their blue dot on a piece to hold it while they bring their spouse, aunt and uncle and whomever and that way they know they’re sure of their purchase. A collector does have to buy it within the first 15 minutes of the show with a preview blue dot and collectors would come by and say is that painting being bought and if I call out and say who’s blue dot is this and they’re not there they lose out but they’ve been given a fair shot and most the time it works out really well for everybody. Everyone gets what they need and they want and then the next round those collectors that didn’t come to the preview and put a blue dot on a piece are aware that they can do it and so then they do.
during my shows at the Audubon could also use a blue dot to hold a piece while purchasing. it eliminated a lot of confusion and sell out shows made the artist happy.
|Dimensions||24 × 18 in|
16×16 oil on linen canvas
Chapin Studio @ Stoneridge – in Bristol Maine
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