Surf Painting, Pemaquid at Noon, 12×20 plein air oil by Deborah Chapin
Surf Painting, Pemaquid at Noon, 12×20 plein air oil painting by Deborah Chapin. I was painting with the Plein air Painters of Maine off of Pemaquid Point last week. Beautiful day painting at mid day which I never do. Read More
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Tip: For the AR on your wall – stand about 8′ from the wall for accurate sizing of piece and/or mask the size on the wall with painter’s tape and fit the image within the tape
Surf Painting, Pemaquid Moon, 12×20 plein air oil painting by Deborah Chapin. I was painting en plein air on a very windy spring evening off of Pemaquid Point. Because of the cloud cover I didn’t expect to see the moon but then suddenly it was there.
I painted out on Pemaquid Point LIVE with the Plein Air Painters of Maine combining both the live painting and also participating in the day at the same time. I was a little late because I had a zoom meeting in the morning. I did a live session and this is the piece that resulted.
I often say that painting is like meditation you look at the surface then you look deeper than you look deeper then you look deeper and you get a greater understanding as you go. And not everybody is at the same level and that’s OK.
It’s also a metaphor for life in general. First you look at the big picture and you can see all of the ocean and all of the sky and the rocks and then you break it down into smaller and smaller parts. Color and line and the composition and the way you want to focus your attention. And then you start working on the niggly details which would be like the tasks you would probably have in your day-to-day life but if you concentrate solely on the little niggly details you miss the big picture.
Notes on the day: The parking lot was completely full, people were having picnic lunches and sitting on the rocks and watching the ocean. I slipped in between a couple of other artists who were already painting on the rocks. I didn’t interrupt them. It was a beautiful day as you can see and perfect weather couldn’t have asked for better. Light breeze and Cool air and yet warm enough that I didn’t have to wear my jacket. A lot of people milling around. Contact Us About This Piece if you have questions, please include the title in your subject line.
About the Process of creating Original art: I like to paint several smaller paintings, working myself up to larger work, as I learn the subject matter. Gradually developing a portfolio which expresses the full character of the place. Pemaquid Point is no different to than one of my favorite haunts in France. It must be explored and appreciated and allowed to seep in at it's own pace. I think deeply and like to delve into the nature of the place, learning the nooks and crannies and developing a deep appreciation of its beauty. Instant gratification is not my thing. I have never been someone who thought a cursory look at someplace even counted as having seen something. This series of plein air and studio paintings are new work added to an already extensive portfolio of 40 years of art.
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Art by Women Artists, Puzzle, Plein air painting, Dancing Wild Wheat and Red Wing Black Birds by Deborah Chapin
Deborah Chapin's Marine paintings have a long exhibition history starting with American Society Marine Artists in 1980 at the now defunct Grand Central Galleries in NYC. As an Independent artist since embarking on her career she has exhibited extensively in top shows and Museums including: Grand Palais and Carrousel de Louvre in Paris with the Societe National des Beaux Arts, Mystic Seaport Gallery International since it's inception in 1982, Of Ships and Sea Exhibits at Greenwich Workshop Gallery, Artist of America Exhibitions Colorado Historical Museum, Ketterer Kunst Auctions, and Lectured on plein air painting at the Smithsonian American Art Museum just to name a few. At the time of her debut she was one of two women in the national exhibitions of Marine Art. See more information https://gallery.deborahchapin.com/exhibition-history-of-35-years-in-paint-by-deborah-chapin/ She now resides in Maine and is working on a new portfolio of work and commission paintings for select collectors in her private studio/gallery.
|Dimensions||34 × 21 in|
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