Announcement: Lifetime Achievement Award from Who’s Who of American Art
Maine Marine Artist – Coastal Series White Horses of the Sea 3 by Deborah Chapin
Maine Marine Artist – Coastal Series White Horses of the Sea 3 by Deborah Chapin Inspired by the Poem “White Horses of the Sea” off Pemaquid Point Maine Art. woman marine artist
Special Introductory Price for 1st collectors. Maine Art by Deborah Chapin. A new series of Maine Coastal Art with her depiction of White Horses of the Sea. “White Horses of the Sea 3″ at Pemaquid Point Lighthouse, is original art, a Maine Art piece inspired by the poem “White Horses of the Sea” (See Poem below). I’m doing a series of small pieces of those foamy steeds. 30% discount purchase Exclusively through the studio.
White Horses of the Sea 3, 12×16 oil on linen Maine coastal Art by Deborah Chapin See Other Coastal Pieces Below
for invoice or payment plans Contact Us About This Piece please include the title in your subject line.
Tip: Stand about 8′ from the wall for accurate sizing of piece and/or mask the size on the wall with painter’s tape and fit the image within the tape
|Dimensions||24 × 18 in|
12×16 oil on linen canvas buy, 12×16 oil on linen layaway
|blue dot reserve||
blue dot reserve
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Notes from the Studio:
Did You Know? Did You Know? That with just inflation a painting:
- in 1982 that was sold at $600, in 2020 is worth $2375?
- in 1984 that was sold at $2500, in 2020 is worth $8625?
- in 1987 that was sold at $7000, in 2020 is work $21783
This doesn’t account for anything but the value of the $ and nothing added for a lifetime of professional experience and worldwide exhibition history. Description About the Artist Blue Dot Reserve Collector’s Introduction Description
Maine Marine Artist Deborah Chapin painting a series on the subject of Sea and Surf painting depicting White Horses of the Sea.
Maine Marine Artist Deborah Chapin is working a series of small paintings on the subject of Sea and Surf depicting White Horses of the Sea. “White Horses of the Sea 3” at Pemaquid Point Lighthouse, is original art, by Maine Marine Artist Deborah Chapin inspired by the poem “White Horses of the Sea” She is just beginning her exploration of the coast of Maine but it is not her first exploration of a coast. Deborah Chapin has been painting marine art for 4 decades and many collectors have admired her work worldwide. She paints complex wave actions as well as the simple wave on a beach pieces. “I’m just getting the movements of the wave action at Pemaquid Point, she said,” “Every combination of wave and wind and rock formations will result in different (water) actions.” Pemaquid point is proving to be a rich environment for an experienced eye, with several points of rocks jutting out, large boulders and the ability for a churning action of the water because of a drop level. It also produces a lot of what she calls slapping back of one wave into another, it proved ideal action for the proverbial white horses. Spits of water and foam which create the shapes of horses. See the video clips below.
About the Artist
About the Artist
Original art are all on linen canvas and one of a kind paintings by the artist.
About the Artist: My Online Studio is an extension of my studio. When you enter you are entering my studio but without the housekeeping. I offer fine art in original oil paintings on linen and also canvas prints of favorite original pieces. Most of my originals in the past 20 years have been painted en plein air ( on location) I have lectured and made film presentation at the Smithsonian American Art Museum, exhibited at the Carrousel du Louvre, and museums through out the world see by exhibition history at Exhibition History
The next 30 years I expect to be doing a combination of unusual water portrait work and collector’s favorite, my beach scenes with people. If you have questions feel free to ask.
For more information see Blue Dot Reserve
I invented the blue dot reserve for collectors who saw a painting at the show preview that they wanted to purchase, so that they could bring a spouse or friend to see the piece before purchasing. The piece would hold for the first 15 mins into the show opening. Blue dots were applied on a first come first serve basis. Once the show started if someone else wanted to buy the piece the blue dot collector had the right to purchase the piece or the blue dot was removed and the next purchaser was free to purchase. This eliminated a lot of acrimony when collectors are vying for the first dibs on paintings.
My first experience with this phenomenon was at the Greenwich Workshop Galleries shows during a “Of Ships and the Sea” exhibit when Graham Stiles was the director. He had a number of collectors come in for an early preview for work and those collectors would be able to buy paintings during the preview. While that’s great for the artist in the gallery it isn’t particularly fair to novice collectors who would be furious when at the opening they saw red dots. So the blue dot eliminates this problem and everybody relaxes a little. All is more fair and open and anyone can put their blue dot on a piece to hold it while they bring their spouse, aunt and uncle and whomever and that way they know they’re sure of their purchase. A collector does have to buy it within the first 15 minutes of the show with a preview blue dot and collectors would come by and say is that painting being bought and if I call out and say who’s blue dot is this and they’re not there they lose out but they’ve been given a fair shot and most the time it works out really well for everybody. Everyone gets what they need and they want and then the next round those collectors that didn’t come to the preview and put a blue dot on a piece are aware that they can do it and so then they do.
during my shows at the Audubon could also use a blue dot to hold a piece while purchasing. it eliminated a lot of confusion and sell out shows made the artist happy.
This piece is a special introduction piece for a new series. I give special consideration to collectors who lead the way on buying a new series
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